Listen to my Cover of Björk’s “Jóga”
My cover of Björk’s iconic Jóga was born out of chaos, a moment where the world around me felt like it was crumbling. I turned to this song as a way to stay human, and rebuilt it using sounds that speak to my roots: oud, darbuka, and synths weaving through a rich, emotional landscape.
It’s an act of care, of resistance, and of love.
““resistance and radinace”, “A Protest in grace””
“״Layering in Arabic instrumentation and modern electronic elements in a way that feels natural, not forced״yering in Arabic instrumentation and modern electronic elements in a way that feels natural, not forced״”
““If only all artists could approach covering a song with the same amount of imagination and creative intellect.””
““I had goosebumps while listening to the track’s climax””
““I had goosebumps while listening to the track’s climax””
““The track invigorates in ZOHARA’s evident vocal power, in addition to the infusion of Arabic instruments with deep history””
New
Live
Sessions
series
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Also subtly ear-catching is Zohara, an incredibly exciting artist and producer.
Her piece ‘Intro’ has something of mallwave about it
but broadens its scope in
drawing on Middle Eastern influences
and the artist’s jazz
background. “Hardofhearingmagazine ”
Pitting heritage against modernity, 'Sing A Song' is the work of a
psychedelic soul coming into her own.— Clash Music[5]
Creating electronic music that fuses the fervour of middle-eastern music with the fluidity of modern production is an immense task. But for performer and producer ZOHARA, it is her most effortless edge.